Sunday, 9 March 2014

IMPLICATED SPECTATOR – IN CONTEXT OF FILMS/CINEMA

What does the word spectator mean? Where is this being originated from? Let’s have a glance at the history to know in a better way. ‘Spectator’ this word is being derived from Latin word around 1580-90’s which means the frequency to look, observer, onlooker, etc. Spectator is all about how movies produce emotional responses, powerful impact on the watcher. Sometimes it’s possible to focus on particular theme – like horror, comedy, thriller or sometimes even melodrama. As all the focus is on the spectator, personality of the star, camera angles, choreography, casting etc. It’s all about to know how films create emotional responses or some reactions within the spectator.
            If an individual clearly understands the concept of spectatorship, then it can be directly related to some theories which are of same kind. Like, according to the researcher the appropriate theory which goes with spectatorship was Hypodermic Needle theory. As it determines the role of the individual spectator. As spectator is an individual member of the audience and is a link between the films and concepts. And spectator remains at the central position and thus the film is recognised by the pleasures had by the spectator gives it the meaning. Spectatorship is not only about watching films but also the way in which an individual takes pleasure during the film. Usually the spectator is the decoder who receives the message and then gives meaning to the same.

            During 1970’s there was no prior theory regarding the role of spectator. Spectators are the one who separates reality and realists who desired to develop film to know the reality, constructed this concept, who receives the unreality from the films. The film is made for the spectator’s vision and at times spectator acts like receiver and the sender. The films open to lot of illusions, scenes which has lot and different interpretations and different viewpoints. There are different angles which helps a film to be produces such as script, story boarding, camera angles, choreography, plot, editing. Basically a film is the mirror which reflects the thoughts and ideas of the director. To understand all these4 technical aspects we need to know more about film and cinema. Cinema provides us with different dimension which otherwise we are not able see in our real life. Cognitive theory can also be applied here, where the reaction is immediately to the outcomes of earlier films on the attitude and the behaviour of the person. We look at any movies or films with our organs, but we analyse it through our mind. As we simply follow them and jump to conclusions. Spectator is usually in a particular room where the movie is being played were nothing is specifically defined.
            Difference between Hollywood movies and Indian movies according to spectator would be in the form of realistic and that of modes do production. It’s always true that Hollywood films provide with realistic story and makes the viewers felt the same. But on the same side Indian films doesn’t gaze at the viewers and even doesn’t want the spectator. As they focus more on melo dramas and all and hence admit that they do not as how what is real, or truthful. So spectator is at the central position where he or she must judge on the basics of the impact which they had.

            I would conclude by saying that as the world is changing the film industry is gaining lots and lots of money. The more they gain knowledge about spectator – likes, dislikes, comfort zone the better chance they get to make profit out of their films. 

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